We are looking for a cohesive suite of work that demonstrates a clear point of view. Interviews should be double-spaced and between 6 – 12 pages.Īrt: We’re interested in visual art of all media. We are particularly interested in reviews of new books that have been published within the last two years. Reviews and Interviews: Reviews should double-spaced and be no more than 1,200 words. Put simply, we are looking for poems that we would be happy to read over and over again, poems in which we could appreciate new meanings, details, and connections each time. Please limit poetry submissions to 3 – 5 poems grouped in a single. We are committed to publishing underrepresented voices, and we also appreciate work in which the author has a stake: poems that feel both true and necessary. We want poems with heart (emotional clarity and complication) and brains (theoretical engagement, logic and metaphors that stand up to further contemplation, mastery of syntax and diction). Poetry: We are looking for fresh, surprising work that impresses us with its technique and technical control. We try to respond to submissions within four months, though it sometimes takes longer, and we generally don’t publish work over 6,000 words. And while we are open to all aesthetic and stylistic approaches, we especially value writing that is fresh, honest, self-aware, and well expressed. We welcome memoir, personal essay, lyric and experimental work, hybrid forms, new journalism and non-academic cultural criticism. pdf document.Įssays: We are interested in nonfiction in any form, though we rarely publish academic writing or straight reportage. If you are submitting flash fiction, you are welcome to submit up to three 1000-word stories in a single. We are happy to consider self-contained excerpts of novels and long stories, but please note that historically it is unusual for us to publish stories longer than 8,000 words. We encourage submissions from all marginalized people, including but not limited to people of color, LGBTIA and the gender non-conforming, and those with disabilities.Īll fiction submissions should be double-spaced, Times New Roman. Though we generally do not publish straight genre fiction, we are always excited to read speculative work and frequently publish non-realist fiction. Recent contributors, please wait at least one year from when your work appears in The Journal before submitting again.įiction: We welcome literary fiction submissions of all forms, including those that incorporate experimental or genre elements. Please allow four to six months for a decision and submit no more than twice a year.Ĭontributors to our print issues receive a one-year subscription to The Journal and two contributor’s copies, and contributors to our online issues receive a one-year subscription to The Journal. Unfortunately, at this time we are unable to offer monetary payment to our contributors. Please wait until you receive a response from us before submitting again. Multiple submissions are not accepted and will not be read. If your submission has been accepted elsewhere, please withdraw the piece or make a note via Submittable. Simultaneous submissions are accepted, but we ask that you notify us of this at the time of submission. We will be closed for submissions during the summer months. We are open for submissions from September 1st through December 1st, and from February 1st through May 1st. We only accept writing that has not been previously published, whether in print or online. We impose no restrictions on category or type of submission for fiction, poetry, and nonfiction. If you’re feeling super-inspired, submit to them! 1.We are interested in quality fiction, poetry, nonfiction, photo essays, author interviews, and reviews of new books of poetry and prose. These online journals showcase new poetry, fiction, essays, and more. Since a new online lit mag is born pretty much every day, here is a guide to some of the coolest, boldest, and gutsiest sites. Online journals give you the opportunity to browse through hundreds of poems, stories, and essays, and all you need is WiFi plus, you’re exposed to more new writers (like me, yay). You don’t have to make room on your already crowded bookshelf for an anthology the size of your printer. It’s super-cool that you don’t have to subscribe and pay for a monthly or yearly journal in order to catch up on some poetry and fiction (in fact, most of the time with online journals and magazines, you don't have to pay at ALL). An ever-expanding landscape of online venues for lit has made writers’ creative and nonfiction work way more accessible and available - and that's good news for us writers and readers. I’ve been submitting my poetry to literary magazines for about two years straight, so I’m pretty well-versed (pun totally intended) with a lot of digital publications.
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